Johanna Drucker

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Publications

“Visualization and the Humanities: Towards a Shared Research Agenda," with Mennatallah El-Assady, Uta Hinrichs, Florian Windhager, Derya Akbaba. Dagstuhl Reports, 13 (9). Schloss Dagstuhl - Leibniz-Zentrum für Informatik. 2024.

“Writing as a Machine or Becoming an Algorithmic Subject.” In Literature and Computation. Chris Tanasescu, ed. Routledge. 2024.

“Direct Objects: Critical Ways to ‘Think a Book.’” In The Experimental Book Object: Materiality, Media, Design. Sami Sjöberg, Mikko Keskinen, Arja Karhumaa, ed. Routledge. 2024.

“Refracting Attention.” X-Tra, Vol. 25. Los Angeles: Project X Foundation for Art & Criticism. 2023.

"Why did Musk rebrand Twitter as X? The mystery." The Washington Post. 2023.

“Information Visualizations and the Interpellation of a Social Subject.” InfoDesign : Brazilian Journal of Information Design, 19 (2). 2022.

“Imaginary Identities.” Art History, 45 (1). Blackwell Publishing Ltd. Oxford, 2022.

“Picture World: Image, Aesthetics, and Victorian New Media.” Critical Inquiry, 48 (4). The University of Chicago Press. 2022.

“Political Epistemology of the Autographic Mark.” In Signata. Annales Des Sémiotiques, 13. 2022.

“The Patacritical Demon, Two Decades Later.” In Pataphysics Unrolled, Katie Price. Chapter 11. Penn State University Press. 2022.

“Normative Digital Humanities.” In The Bloomsbury Handbook to the Digital Humanities. James O’Sullivan, ed. Bloomsbury Publishing Plc. London. 2022.

“Dynamic and Spatial Variables in Data Visualization Systems.” Punctum. International Journal of Semiotics. 2022.

“Meta-Bibliography: Thinking in the Book Format.” In Buch-Aisthesis, Vol. 14. Bielefeld: transcript Verlag. 2022.

“Heterochronologies: A Platform for Correlation and Research in Temporal Graphics,” with Peter Polack and Pietro Santachiara. Digital Humanities Quarterly, 16 (3). 2022.

“Sustainability and Complexity: Knowledge and Authority in the Digital Humanities.” Digital Scholarship in the Humanities, 36 (2). 2022.

"After Quadrature: Concepts of Composition and Letterpress Forms." In Post-Digital Letterpress Printing: Research, Education and Practice. Pedro Amado, Ana Caterina Silva, Vítor Quelhas, ed. Routledge. Lisbon, 2021.

"THE LINE BENDS: Non-literal non-linear?" in Line Breaks in America: the Odds and Ends of Poetry. Association française d'Etudes Américaines, Transatlantica. 2021.

“Viewpoint: Everyone a Librarian!?” Art Libraries Journal, 46 (3). 2021.

“Viewpoint: Hetero-ontologies and taxonomies in the wild.” Art Libraries Journal, 46 (2). 2021.

"BIBLIOGRAPHY." in Information: A Historical Companion. Princeton University Press. 2021.

“Modeling Interpretation.” in Modelwork. Martin Brükner, Sarah Wasserman, and Sandy Isenstadt, ed. University of Minnesota Press. 2021.

“Responses.” in Farewell to Visual Studies. Penn State University Press. 2021.

“Visualization.” in Uncertain Archives: Critical Keywords for Big Data. Nanna Bonde Thylstrup, Daniela Agostinho, Annie Ring, Catherine D'Ignazio, Kristin Veel, ed. MIT Press. 2021.

“Bound to Speak: Accounts of Illness in Artists' Books.” The Journal of Medical Humanities, 41 (1). 2020.

"Sight." in Further Reading. Matthew Rubery and Leah Price, ed. Oxford University Press. 2020.

"M/E/A/N/I/N/G: Feminism, Theory, and Art Practice," Foreward. in M/E/A/N/I/N/G: Feminism, Theory, and Art Practice. Susan Bee and Mira Schor, ed. Duke University Press. 2020.

“Visual Pleasure: A Feminist Perspective.” in M/E/A/N/I/N/G. Susan Bee and Mira Schor, ed. Duke University Press. 2020.

“Blind Spot: Information Visualization and Art History.” in The Routledge Companion to Digital Humanities and Art History, Kathryn Brown, ed. Routledge. 2020.

“Site Unscene: Medial Ideology and the Literary Interface.” Australian Literary Studies, 34 (2). 2019.

“The Visible Library and Legible Spaces.” Art Libraries Journal, 44 (4). 2019.

“A Conversation on Digital Art History.” with Claire Bishop in Debates in the Digital Humanities 2019. Matthew K. Gold and Lauren F. Klein, ed. University of Minnesota Press. 2019.

“Amusements Électroniques.” MatLit, Centro de Literatura Portuguesa Da Universidade de Coimbra, 6 (1). 2018.

“The Back End: Infrastructure Design for Scholarly Research.” Journal of Modern Periodical Studies, 8 (2). 2018.

“Non-Representational Approaches to Modeling Interpretation in a Graphical Environment.” Digital Scholarship in the Humanities, 33 (2). 2018.

“An Interview with Johanna Drucker on Poetry, Research, Digital Humanities and Their Future.” Revue Française d’études Américaines, 151 (2). Rui Torres and Manuel Portela, ed. 2018.

“The Work Event: Art in the Distributed Field and Systems of Production.” in Perspectives on Contemporary Printmaking. Manchester University Press. 2018.

“Artists' Books and Picturebooks: Generative Dialogues.” in The Routledge Companion to Picturebooks, Bettina Kümmerling-Meibauer, ed. Routledge. 2017.

“Knowledge Design and Illusions/Delusions of Agency.” Dialectic, 1 (2). Michigan Publishing. 2017.

“Information Visualization and/as Enunciation.” Journal of Documentation, 73 (5). 2017.

“Why Distant Reading Isn't.” Publications of the Modern Language Association of America, 132 (3). 2017.

“Boundaries to Protocols: Conceptions of the ‘book’ in a Networked Environment.” Book 2.0, 7 (1). 2017.

“Language, Voice, and Performance: Notes on Lily Greenham’s Sound Poetry.” with Cecilia Bello Minciacchi, Vincent Broqua, Johan Gardfors, Martin Glaz Serup, Fiona McGovern. Tidskrift För Litteraturvetenskap, 47 (2). 2017.

“Beautiful Data: A History of Vision and Reason since 1945. (Experimental Futures)." American Historical Review, 121 (2). 2016.

“Diagrammatic Form and Performative Materiality.” Journal of Electronic Publishing, 19 (2). 2016.

“From Sociality of Media to the Social as a Medium: Diagrams and Models of Media Theory.” Explorations in Media Ecology, 15 (1). 2016.

“The Why and How of Middleware,” with Patrik B. O Svensson. Digital Humanities Quarterly, 10 (2). 2016.

“Digital Art History: The American Scene,” with Anne Helmreich, Matthew Lincoln, and Francesca Rose. Perspective, no 2. Paris, 2015.

“Graphical Approaches to the Digital Humanities.” in A New Companion to Digital Humanities. John Wiley & Sons, Ltd. Susan Schreibman, Ray Siemens, John Unsworth ed. 2015.

“Database Narratives in Book and Online.” Journal of Electronic Publishing, 18 (1). 2015.

"Humanist Computing at the End of the Individual Voice and the Authoritative Text." in Between Humanities and the Digital. Patrik Svensson, David Theo Goldberg, ed. MIT Press. 2015.

“Diagrammatic and Stochastic Writing and Poetics.” The Iowa Review, 44 (3). 2014

“Distributed and Conditional Documents: Conceptualizing Bibliographical Alterities.” MatLit, Centro de Literatura Portuguesa Da Universidade de Coimbra, 2 (1). 2014.

“The University as a Fully Integrated and Distributed Platform: A Vision.” Portal, 14 (3). Johns Hopkins University Press. 2014.

“Concepts of Production.” Afterimage, 42 (1). University of California Press. Berkeley, 2014.

“Knowledge Design: A Conceptual and Curricular Challenge.” Design and Culture, 6 (1). Routledge. London, 2014.

“Frame Jumps and Mixed Modalities: Reading and/as Interface.” Book 2.0, 3 (2). 2013.

“Critical Journalism in Graphic Design?” Design and Culture, 5 (6). Routledge. London, 2013.

“Diagrammatic Writing.” New Formations, Vol. 78. Lawrence and Wishart. 2013.

“Is There a 'Digital' Art History?” Visual Resources, 29 (1-2). Routledge. Abingdon, 2013.

“The Virtual Codex from Page Space to E-Space.” In A Companion to Digital Literary Studies. Ray Siemens, Susan Schreibman, ed. John Wiley & Sons, Ltd. Oxford, 2013.

“From A to Screen.” In Comparative Textual Media: Transforming the Humanities in the Postprint Era. N. Katherine Hayles, Jessica Pressman, ed. University of Minnesota Press. 2013.

“Performative Materiality and Theoretical Approaches to Interface.” Digital Humanities Quarterly, 7 (1). 2013.

“Reading Interface.” Publications of the Modern Language Association of America, 128 (1). 2013.

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