Johanna Drucker's Artist Books
An online repository of facsimiles, metadata, and commentary

Bookscape

1988



Project Statement


I moved to Dallas in 1986 to take a job at the University of Texas at Dallas (actually located in Richardson, north of the city). The landscape of that grim metropolitan environment, suffering from a post-boom downturn in the economy, seemed resistant to description in any familiar mode of literary form. The notion of a bookscape came to mind as a way of describing and detailing the confusing disorientation induced by the empty artifice of the place. This initial publication of the text was brought about by invitation from Peter Ganick. But the larger project involved creation of a large, unique book object, a hand-made box, covered in gold, with small silver boxes inside, each of which was an object with text. The box contained two layers of book objects in their boxes, and was meant to have the look of a Neiman Marcus or other expensive, luxury store package. The book objects were all made with found materials, with texts and lettering produced in a wide variety of ways -- using straight pins, broken glass, hand lettering, press type, typewriter, etc. Each object had an archetectonic form, suggestive of the buildings populating the Dallas landscape. They could be set up on a table top to create a "bookscape." Conception of that project took place as a response to the question: "What is a literary form appropriate to these times?" The book object was finished only in the summer of 1988, a long hot May and June, while the streets outside my apartment were being repaved with steaming asphalt, and I sat in front of a television and worked days on end to finish production before packing the book box and leaving Dallas. The book box was bought by the Getty after I had an exhibition at Granary Books.


Production Narrative


This sad looking little pamphlet was produced using the dot matrix printer I had for my first, IBM-clone computer. The typography makes the best use I could of three variations in font -- a condensed, an expanded, and a standard width. The layout was done by creating the print-outs and then pasting them up on sheets of paper taped to the windows with a grid of graph paper underneath. Primitive.


Critical Analysis

Design Features

typographic: Dot matrix print-out, in three variable widths.

graphical: The layout stresses the interconnected, intercut nature of the various texts. They move into and out of each other, like roadways or sightlines in a landscape.

Critical Discussion

The text of this pamphlet is far more compelling than the design or graphic effect. The language of an alienated subject, struggling to reconstitute any locus of self-hood in the distributed, shifting, decentered landscape is poignant and deadly accurate.

Work

Agents

Johanna Drucker

type: initiating

role:
author
designer

Publication Information

publisher: Abacus, Potes and Poets Press Inc.

date of publication: 1988-00-00

publisher: A single, uneditioned, unique work, not published.

date of publication: 1988-00-00

publication history: Two editions of this work were produced, this and a deluxe, unique book work. [A. Schutte]

Aesthetic Profile

subject: artists' books (LCSH)

themes: The Dallas Landscape and mismatch between that experience and conventional modes of writing.

content form: experimental text (local)

publication tradition: artists' book (local)

related works: My books on Italy (1980), Cuba (2005), and other travel narratives (mainly unpublished, but the Paris Texts (1984-85), and the Italy (2003) text are all works that grapple with the problem of representing the experience of a place through conventions of literary form.

other influences: Samuel Butler's Erewhon.

community: other Poetry communities, though distant, were still vital to my sense of definition of the project and my work.

Related Documents

manuscript type: texts

location: artist's archive

note: Original texts, versions, edits all in existence.


manuscript type: correspondence

location: artist's archive

note: In existence.


manuscript type: mockups

location: artist's archive

note: Paste-ups and tests.


Edition

Agents

Johanna Drucker

type: initiating

role:
author
designer


Abacus

type: initiating

role:
publisher
printer

location: Elmwood, Connecticut

note: Bookscape was first published as Issue # 33, April 1, 1988, of Abacus.

Publication Information

edition type: editioned

publisher: Abacus, Potes and Poets Press Inc.

place: Elmwood, Connecticut

dates:
publication: 1988-00-00

edition size: Unknown, but not more than 100.

Measurements

horizontal: 8.5 inches closed

vertical: 11 inches closed

depth: .05 inches closed

Production Information

production means:
offset (local)

binding: other

substrate:
bookBlock: paper
endsheets: paper

media:
ink (local)

Appearance

format: pamphlet (AAT)

color: yes

Content

pagination: unpaginated

numbered?: numbered

signed?: unsigned

Colophon

Johanna Drucker recently received a Mellon Faculty Fellowship for 1988-89 to study avant-garde typography in the Fine Arts Department at Harvard University. Her most recent publications are Through Light and the Alphabet (1986) and Against Fiction (1984). She lives currently in Dallas, Texas, where she teaches at the University of Texas.